Prior to captivating this medicine, regard as to cautiously appraise all the feasible dangers and advantages connected with it. sildenafil purchase is the best and most useful way of treating depression. When you consider affordable Kamagra tablets you get a prescription for the Sildenafil tablet for treating your erectile dysfunction, you should, without any buy viagra cheap delay, go for this specific medicine. The tablets work best when you are ready for a little loose morality we can log on to sildenafil online no prescription -tadalafil.com to order an approved and qualitative pack. According to a study funded tab viagra by the manufacturers.
- Home
- 21ST CENTURY CRITICAL THEORY
- Course philosophy & procedures
- Readings
- Speculative Project
- WEEK 2 – CAPITAL IS (UN)DEAD (Jan. 16)
- WEEK 3_(XENO)FEMINISMS (Jan. 23)
- WEEK 4_BODYMINDS REIMAGINED (Jan. 30)
- WEEK 5_QUEER FUTURITY (Feb. 6)
- WEEK 6_THE ENDS OF THE WORLD (Feb. 13)
- WEEK 7_INDIGENOUS (ANTI)FUTURITY (Feb. 27)
- WEEK 8_AFROPESSIMISM/AFROFUTURISM (Mar. 6)
- WEEK 9_MACHINIC CAPTURE (Mar. 13)
- WEEK 10_SPECULATION (Mar. 20)
- WEEK 11_AFFECT AND THE TRANSPERSONAL (Mar. 27)
- Contemporary Theory in the Visual Arts
- Critical Issues—Artist as Activist and Educator
- Presentations
- Proposal
- Readings
- Tweet Sources
- Week 1 (Jan 7) INTRODUCTION
- Week 2 (Jan 14) (DIS)POSITION
- Week 3 (Jan 21) ACCELERATION
- Week 4 (Jan 28) COOPERATION
- Week 5 (Feb 11) SITUATION
- Week 6 (Feb 25) CONJUNCTION
- Week 7 (Mar 4) HYPERSTITION
- Week 8 (Mar 11) CONTAGION
- Week 9 (Mar 18) SECESSION
- Week 10 (Mar 25) OVERIDENTIFICATION
- Week 11 (April 1) LEVITATION & CONCLUSION
- Crossing Boundaries
- Introduction to Video
- Course philosophy & procedures
- Week 1: Video Resists (Sept. 10)
- Week 2: Time and Feedback (Sept. 17)
- Week 3: The phenomenal world (Sept. 24)
- Week 4: Body matters (Oct. 1)
- Week 5: Feelings are Facts (Oct. 8)
- Week 6: FIRST PROJECT CRITIQUE (Oct. 22)
- Week 7: Logics of the Cut (Oct. 29)
- Week 8: What’s The Story? (Nov. 5)
- Week 9: Hijacking (Nov. 12)
- Week 10: The powers of the false (Nov. 19)
- Week 11: ONE-ON-ONE (Nov. 26)
- Week 12: FINAL (Dec. 3)
- First Project: MONOLOGUE/PERFORMANCE
- Second Project: POWERS OF THE FALSE
- Sound for Artists
- Afferent and Efferent Pathways
- AUDITION tutorial
- Course philosophy & procedures
- Glossary
- Modes of Listening
- Project 1
- Project 2
- Project 3
- Soundcloud
- The TETRAD on recording
- Tweet Sources
- Week 1 (Sept. 13) INTRODUCTION
- Week 2 (Sept. 20) SOUND BEYOND ART
- Week 3 (Sept. 27) 21st CENTURY LISTENING
- Week 4 (Oct. 4) PROJECT 1
- Week 5 (Oct. 18) RECORDING TETRAD
- Week 6 (Oct. 25) RHIZOPHONIA & MACHINED SOUND
- Week 7 (Nov. 1) ONE-ON-ONE MEETINGS
- Week 8 (Nov. 8) PROJECT 2
- Week 9 (Nov. 15) UNSOUND
- Week 10 (Nov. 22) NOISE SILENCE
- Week 11 (Nov. 29) UNSOUND
- Week 12 (Dec. 6) PROJECT 3
- Video in the Expanded Field
- Course philosophy & procedures
- Project 1: STREAM
- Project 2: DISORIENTATION
- Project 3: INTERVENTION
- Sources
- Tutorials
- TWITTER STREAM
- Week 1 (Jan. 9) INTRO
- Week 2 (Jan. 16) REAL TIMES
- Week 3 (Jan. 23) SURVEILLANCE
- Week 4 (Jan. 30) PROJECT 1
- Week 5 (Feb. 6) DISORIENTATION: IMAGE
- Week 6 (Feb. 13) DISORIENTATION: TIME
- Week 7 (Feb. 27) ALGORITHMIC VISION
- Week 8 (Mar. 6) PROJECT 2
- Week 9 (May 7) SOUND&IMAGE
- Week 10 (May 21) THIRD PROJECT CRITIQUE