Marshall McLuhan developed a framework to assist in identifying the properties of new technologies according to four characteristics, which he called the Tetrad. Your task will be to apply the tetrad to recording technology. Think about recording technology in relationship with music and…
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- 21ST CENTURY CRITICAL THEORY
- Course philosophy & procedures
- Readings
- Speculative Project
- WEEK 2 – CAPITAL IS (UN)DEAD (Jan. 16)
- WEEK 3_(XENO)FEMINISMS (Jan. 23)
- WEEK 4_BODYMINDS REIMAGINED (Jan. 30)
- WEEK 5_QUEER FUTURITY (Feb. 6)
- WEEK 6_THE ENDS OF THE WORLD (Feb. 13)
- WEEK 7_INDIGENOUS (ANTI)FUTURITY (Feb. 27)
- WEEK 8_AFROPESSIMISM/AFROFUTURISM (Mar. 6)
- WEEK 9_MACHINIC CAPTURE (Mar. 13)
- WEEK 10_SPECULATION (Mar. 20)
- WEEK 11_AFFECT AND THE TRANSPERSONAL (Mar. 27)
- Contemporary Theory in the Visual Arts
- Critical Issues—Artist as Activist and Educator
- Presentations
- Proposal
- Readings
- Tweet Sources
- Week 1 (Jan 7) INTRODUCTION
- Week 2 (Jan 14) (DIS)POSITION
- Week 3 (Jan 21) ACCELERATION
- Week 4 (Jan 28) COOPERATION
- Week 5 (Feb 11) SITUATION
- Week 6 (Feb 25) CONJUNCTION
- Week 7 (Mar 4) HYPERSTITION
- Week 8 (Mar 11) CONTAGION
- Week 9 (Mar 18) SECESSION
- Week 10 (Mar 25) OVERIDENTIFICATION
- Week 11 (April 1) LEVITATION & CONCLUSION
- Crossing Boundaries
- Introduction to Video
- Course philosophy & procedures
- Week 1: Video Resists (Sept. 10)
- Week 2: Time and Feedback (Sept. 17)
- Week 3: The phenomenal world (Sept. 24)
- Week 4: Body matters (Oct. 1)
- Week 5: Feelings are Facts (Oct. 8)
- Week 6: FIRST PROJECT CRITIQUE (Oct. 22)
- Week 7: Logics of the Cut (Oct. 29)
- Week 8: What’s The Story? (Nov. 5)
- Week 9: Hijacking (Nov. 12)
- Week 10: The powers of the false (Nov. 19)
- Week 11: ONE-ON-ONE (Nov. 26)
- Week 12: FINAL (Dec. 3)
- First Project: MONOLOGUE/PERFORMANCE
- Second Project: POWERS OF THE FALSE
- Sound for Artists
- Afferent and Efferent Pathways
- AUDITION tutorial
- Course philosophy & procedures
- Glossary
- Modes of Listening
- Project 1
- Project 2
- Project 3
- Soundcloud
- The TETRAD on recording
- Tweet Sources
- Week 1 (Sept. 13) INTRODUCTION
- Week 2 (Sept. 20) SOUND BEYOND ART
- Week 3 (Sept. 27) 21st CENTURY LISTENING
- Week 4 (Oct. 4) PROJECT 1
- Week 5 (Oct. 18) RECORDING TETRAD
- Week 6 (Oct. 25) RHIZOPHONIA & MACHINED SOUND
- Week 7 (Nov. 1) ONE-ON-ONE MEETINGS
- Week 8 (Nov. 8) PROJECT 2
- Week 9 (Nov. 15) UNSOUND
- Week 10 (Nov. 22) NOISE SILENCE
- Week 11 (Nov. 29) UNSOUND
- Week 12 (Dec. 6) PROJECT 3
- Video in the Expanded Field
- Course philosophy & procedures
- Project 1: STREAM
- Project 2: DISORIENTATION
- Project 3: INTERVENTION
- Sources
- Tutorials
- TWITTER STREAM
- Week 1 (Jan. 9) INTRO
- Week 2 (Jan. 16) REAL TIMES
- Week 3 (Jan. 23) SURVEILLANCE
- Week 4 (Jan. 30) PROJECT 1
- Week 5 (Feb. 6) DISORIENTATION: IMAGE
- Week 6 (Feb. 13) DISORIENTATION: TIME
- Week 7 (Feb. 27) ALGORITHMIC VISION
- Week 8 (Mar. 6) PROJECT 2
- Week 9 (May 7) SOUND&IMAGE
- Week 10 (May 21) THIRD PROJECT CRITIQUE