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21ST CENTURY CRITICAL THEORY
Course philosophy & procedures
Readings
Speculative Project
WEEK 2 – CAPITAL IS (UN)DEAD (Jan. 16)
WEEK 3_(XENO)FEMINISMS (Jan. 23)
WEEK 4_BODYMINDS REIMAGINED (Jan. 30)
WEEK 5_QUEER FUTURITY (Feb. 6)
WEEK 6_THE ENDS OF THE WORLD (Feb. 13)
WEEK 7_INDIGENOUS (ANTI)FUTURITY (Feb. 27)
WEEK 8_AFROPESSIMISM/AFROFUTURISM (Mar. 6)
WEEK 9_MACHINIC CAPTURE (Mar. 13)
WEEK 10_SPECULATION (Mar. 20)
WEEK 11_AFFECT AND THE TRANSPERSONAL (Mar. 27)
Contemporary Theory in the Visual Arts
Basic premises
Resources
Speculative Proposal
Symposium
Tuning Speculation
Week 1 (Sept. 6)
Week 2 (Sept. 13)
Week 3 (Sept. 20)
Week 4 (Sept. 27)
Week 5 (Oct. 4)
Week 6 (Oct. 18)
Week 7 (Oct. 25)
Week 8 (Nov. 1)
Week 9 (Nov. 8)
Week 10 (Nov. 15)
Week 11 (Nov. 22)
Week 12 (Nov. 29)
Critical Issues—Artist as Activist and Educator
Presentations
Proposal
Readings
Tweet Sources
Week 1 (Jan 7) INTRODUCTION
Week 2 (Jan 14) (DIS)POSITION
Week 3 (Jan 21) ACCELERATION
Week 4 (Jan 28) COOPERATION
Week 5 (Feb 11) SITUATION
Week 6 (Feb 25) CONJUNCTION
Week 7 (Mar 4) HYPERSTITION
Week 8 (Mar 11) CONTAGION
Week 9 (Mar 18) SECESSION
Week 10 (Mar 25) OVERIDENTIFICATION
Week 11 (April 1) LEVITATION & CONCLUSION
Crossing Boundaries
Introduction
Projects
Project 1
Project 2
Project 3
Tutorials
Audacity
Compression / Decompression
Premiere
Ripping & Downloading
ZOOM recorder
Week 1 (Jan. 6)
Week 2 (Jan. 13)
Week 3 (Jan. 20)
Week 4 (Jan. 27)
Week 5 (Feb.10)
Week 6 (Feb. 24)
Week 7 (Mar. 3)
Week 8 (Mar. 10)
Week 9 (Apr. 14)
Week 10 (Apr. 21)
Week 11 (Mar. 31)
Week 12 (TBA)
INAUGURAL TEACH-IN
Xenopraxis Sitation Open House Award
Introduction to Video
Course philosophy & procedures
Week 1: Video Resists (Sept. 10)
Week 2: Time and Feedback (Sept. 17)
Week 3: The phenomenal world (Sept. 24)
Week 4: Body matters (Oct. 1)
Week 5: Feelings are Facts (Oct. 8)
Week 6: FIRST PROJECT CRITIQUE (Oct. 22)
Week 7: Logics of the Cut (Oct. 29)
Week 8: What’s The Story? (Nov. 5)
Week 9: Hijacking (Nov. 12)
Week 10: The powers of the false (Nov. 19)
Week 11: ONE-ON-ONE (Nov. 26)
Week 12: FINAL (Dec. 3)
First Project: MONOLOGUE/PERFORMANCE
Second Project: POWERS OF THE FALSE
Sound for Artists
Afferent and Efferent Pathways
Afferent and Efferent Pathways 2
AUDITION tutorial
Course philosophy & procedures
Glossary
Modes of Listening
Project 1
Project 2
Project 3
Soundcloud
The TETRAD on recording
Tweet Sources
Week 1 (Sept. 13) INTRODUCTION
Week 2 (Sept. 20) SOUND BEYOND ART
Week 3 (Sept. 27) 21st CENTURY LISTENING
Week 4 (Oct. 4) PROJECT 1
Week 5 (Oct. 18) RECORDING TETRAD
Week 6 (Oct. 25) RHIZOPHONIA & MACHINED SOUND
Week 7 (Nov. 1) ONE-ON-ONE MEETINGS
Week 8 (Nov. 8) PROJECT 2
Week 9 (Nov. 15) UNSOUND
Week 10 (Nov. 22) NOISE SILENCE
Week 11 (Nov. 29) UNSOUND
Week 12 (Dec. 6) PROJECT 3
Video in the Expanded Field
Course philosophy & procedures
Project 1: STREAM
Project 2: DISORIENTATION
Project 3: INTERVENTION
Sources
Tutorials
Premiere
Quicktime
TWITTER STREAM
Week 1 (Jan. 9) INTRO
Week 2 (Jan. 16) REAL TIMES
Week 3 (Jan. 23) SURVEILLANCE
Week 4 (Jan. 30) PROJECT 1
Week 5 (Feb. 6) DISORIENTATION: IMAGE
Week 6 (Feb. 13) DISORIENTATION: TIME
Week 7 (Feb. 27) ALGORITHMIC VISION
Week 8 (Mar. 6) PROJECT 2
Week 9 (May 7) SOUND&IMAGE
Week 10 (May 21) THIRD PROJECT CRITIQUE
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Symposium
Posted on
September 7, 2013
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