CLASS
Discussion of sound and control with assigned articles.
Listening to Silent Spaces…
- Home
- 21ST CENTURY CRITICAL THEORY
- Course philosophy & procedures
- Readings
- Speculative Project
- WEEK 2 – CAPITAL IS (UN)DEAD (Jan. 16)
- WEEK 3_(XENO)FEMINISMS (Jan. 23)
- WEEK 4_BODYMINDS REIMAGINED (Jan. 30)
- WEEK 5_QUEER FUTURITY (Feb. 6)
- WEEK 6_THE ENDS OF THE WORLD (Feb. 13)
- WEEK 7_INDIGENOUS (ANTI)FUTURITY (Feb. 27)
- WEEK 8_AFROPESSIMISM/AFROFUTURISM (Mar. 6)
- WEEK 9_MACHINIC CAPTURE (Mar. 13)
- WEEK 10_SPECULATION (Mar. 20)
- WEEK 11_AFFECT AND THE TRANSPERSONAL (Mar. 27)
- Contemporary Theory in the Visual Arts
- Critical Issues—Artist as Activist and Educator
- Presentations
- Proposal
- Readings
- Tweet Sources
- Week 1 (Jan 7) INTRODUCTION
- Week 2 (Jan 14) (DIS)POSITION
- Week 3 (Jan 21) ACCELERATION
- Week 4 (Jan 28) COOPERATION
- Week 5 (Feb 11) SITUATION
- Week 6 (Feb 25) CONJUNCTION
- Week 7 (Mar 4) HYPERSTITION
- Week 8 (Mar 11) CONTAGION
- Week 9 (Mar 18) SECESSION
- Week 10 (Mar 25) OVERIDENTIFICATION
- Week 11 (April 1) LEVITATION & CONCLUSION
- Crossing Boundaries
- Introduction to Video
- Course philosophy & procedures
- Week 1: Video Resists (Sept. 10)
- Week 2: Time and Feedback (Sept. 17)
- Week 3: The phenomenal world (Sept. 24)
- Week 4: Body matters (Oct. 1)
- Week 5: Feelings are Facts (Oct. 8)
- Week 6: FIRST PROJECT CRITIQUE (Oct. 22)
- Week 7: Logics of the Cut (Oct. 29)
- Week 8: What’s The Story? (Nov. 5)
- Week 9: Hijacking (Nov. 12)
- Week 10: The powers of the false (Nov. 19)
- Week 11: ONE-ON-ONE (Nov. 26)
- Week 12: FINAL (Dec. 3)
- First Project: MONOLOGUE/PERFORMANCE
- Second Project: POWERS OF THE FALSE
- Sound for Artists
- Afferent and Efferent Pathways
- AUDITION tutorial
- Course philosophy & procedures
- Glossary
- Modes of Listening
- Project 1
- Project 2
- Project 3
- Soundcloud
- The TETRAD on recording
- Tweet Sources
- Week 1 (Jan. 7) INTRODUCTION
- Week 2 (Jan. 14) SOUND BEYOND ART
- Week 3 (Jan. 21) 21st CENTURY LISTENING
- Week 4 (Jan. 28) PROJECT 1
- Week 5 (Feb. 4) RECORDING TETRAD
- Week 6 (Feb. 11) RHIZOPHONIA & MACHINED SOUND
- Week 7 (Feb. 25) SOUND AND CONTROL
- Week 8 (Mar. 4) PROJECT 2
- Week 9 (Mar. 11) UNSOUND
- Week 10 (Mar. 18) NOISE SILENCE
- Week 11 (Mar. 25) SOUND AND CONTROL
- Week 12 (Apr. 1) PROJECT 3
- Video in the Expanded Field
- Course philosophy & procedures
- Project 1: STREAM
- Project 2: DISORIENTATION
- Project 3: INTERVENTION
- Sources
- Tutorials
- TWITTER STREAM
- Week 1 (Jan. 9) INTRO
- Week 2 (Jan. 16) REAL TIMES
- Week 3 (Jan. 23) SURVEILLANCE
- Week 4 (Jan. 30) PROJECT 1
- Week 5 (Feb. 6) DISORIENTATION: IMAGE
- Week 6 (Feb. 13) DISORIENTATION: TIME
- Week 7 (Feb. 27) ALGORITHMIC VISION
- Week 8 (Mar. 6) PROJECT 2
- Week 9 (May 7) SOUND&IMAGE
- Week 10 (May 21) THIRD PROJECT CRITIQUE