IN CLASS
Discussion of course philosophy and procedures.
Discussion of question: Find an example online of an event captured by a phone which “changes the media story,” by giving the lie to an “official” media account. Be as specific as possible regarding the material, temporal, cultural components of the intervention.
DETAILS ABOUT PROJECT 1.
IDEAS
Seattle Police Arrest William Wingate (2014)
Harun Farocki – Serious Games III: IMMERSION (2009)
Bill Hader / Tom Cruise deep fake
David Hall – TV Interruptions (1971)
Chris Burden – Through the Night Softly (commercial) (1973)
Harun Farocki – Eye / Machine 1 (2000)
Deep Learning Program Hallucinates Videos
VIDEO ECOLOGIES 2021
Human-Machine Ecology
Peter Campus – Double Vision (1971): prosthetic vision – experiencing animal, decorrelated vision
self-regulation via machinic feedback
cf. Helmets That Change Your POV!
Infrastructural Video: Surveillance and Control
Weaponized COPyright: Police Play Music to Counter Citizen Livestreams
Cop Plays Taylor Swift to Prevent Video Sharing of Him Harassing Protestors
Harun Farocki – CounterMusic (2004): the city regulated by machine images + feedback loops between humans and machinic capture
Manu Luksch—Faceless (2007) & the CCTV Manifesto
FEEDBACK (an important concept throughout the course):
FEEDBACK between yourself and the machine in early video art;
FEEDBACK now also through memes and recommendations, likes and favorites
FEEDBACK on the TECHNICAL LEVEL via noise-correcting algorithms trawling through your past photo history, to make up for low quality phone lenses.
THE PAST IS WOVEN INTO THE PRESENT (Hito Steyerl): “it makes seeing unforeseen things more difficult. The noise will increase and random interpretation too. We might think that the phone sees what we want, but actually we will see what the phone thinks it knows about us.”
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on shooting levels: Spike Jonze “Pretty Sweet” : DRONE VISION
on coding levels: Face2Face Real-Time Face Capture
A boundary has been crossed. It used to be that sound was the untrustworthy sense, now visual technologies have reached a level of sophistication which makes duplicity undetectable.
Psychedelic Perspective
oversaturation of information leads to disorientation – your senses have difficulty grasping it all
Farocki – Deep Play (2007) : an object explored from multiple angles, domains, conceptual logics
Distributed Attention
Ryan Trecartin – Popular Sky (2009) – explosion of non-starters / performance art / collaborative composition – social media shorthand language translated into video language
attention is scattered
the repatterning of brains via technological stimulation (neuroplasticity)
Appropriation and Remixing (Sousveillance)
Dara Birnbaum – Technology Transformation Wonder Woman (1978): one of the first video artists to intersect with network TV
was making this as the show was on the air
mash-ups – all done thru technical manipulation and keen knowledge of the material, formal & affective minutiae of video
cf. “Shining“
REAL-TIME
What does it mean to lose the INTERVAL between capture and viewing?
(no distinction between fact and fiction)
APOLLO 11 moonshot: first example of mass video art! (see next week) (record number of live viewers for the time)
PERISCOPE: DrummondPuddleWatch (Drummond Central marketing agency is behind it!)
Political Capacities
Site-Specific Intervention: CAGES (Nuit Blanche, Toronto)
Sousveillance: talking back to mainstream media: Eric Garner on-camera murder
Infiltration: Pussy Riot Punk Prayer (2012)
Livestreaming: “Chicago Torture” video (2017): something DELETED has been inevitably already downloaded and can be RECIRCULATED
The point is that we don’t know yet how these kinds of capacities, widespread and easily accessible, are going to change our relationship with perception, politics, or what kinds of mutations these new forms of viral circulation are going to operate in our brains (neuroplasticity).
WHAT’S CERTAIN is that mainstream media has been severely undercut by the rise of YT, streaming video, and the capacity to circulate instantly (“the information cascade”).
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